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Overproduction is the excessive use of audio effects, layering, or digital manipulation in music production. ==Uses of the term== It is not always clear what critics mean by "overproduction", but there are at least a few common uses of the term: *A reference to heavy use of ''audio processing effects'' such as reverb, delay, or dynamic range compression. *A reference to heavy ''layering'' or multitracking; in the context of pop and rock music, this may refer to the addition of elements such as chorused vocals or backing strings. *A reference to radio versions of songs pushed to be more "pop" through the use of loud drum beats or other instrumentation changes. *A reference to heavy use of pitch correction, time correction, or quantization. *A reference to records overseen by a producer who "imposes" his or her own distinctive "sound" or techniques on a band or artist; Producers frequently accused of this kind of "overproduction" include Phil Spector,〔(【引用サイトリンク】title=The Beatles Let It Be...Naked )〕〔(【引用サイトリンク】title=Let It Be - Beatles (The) - Review - Goodbye, George Martin--Hello, Phil Spector )〕 Mutt Lange, Mitch Miller, and Chet Atkins. All six of these meanings share the idea that a record producer or mastering engineer has made "unnecessary" additions or changes to a record in the production process, and in doing so has decreased the quality or enjoyability of the music. In general there is little consensus among music critics or producers about when the use of an effect or production technique becomes excessive. For this reason, some producers consider the term unhelpful, confusing, and subjective.〔(【引用サイトリンク】title=Record Production and the "Over Production" Myth )〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Overproduction (music)」の詳細全文を読む スポンサード リンク
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